“A Dream Like A Dream” Fan Review Report by 十月息

Original Article: https://weibo.com/6574125081/KcrfzBjYL?type=comment#_rnd1619312989712
Original Author: 十月息

Part 1 – Review of Xiao Zhan’s Acting According to the Script

Finding Patient No. 5 B

At the start of the play, there were many people surrounding the stage, I was very frantically searching for Xiao Zhan. One of the ladies besides me patted me and said, that one with the messenger bag! After that I immediately found him. His legs were really long! So, at the start of the play, watch out for the messenger bag! (That was the look in the waiting photo.) After this, I was following him around using my binoculars, hahaha.

Patient No. 5 and His Wife’s Initial Encounter

This part was very interesting. No. 5 was queuing behind his wife, then still a stranger, and buying movie tickets, and his wife had an argument with her then lover on the phone, and rashly stuffed her other movie ticket and grilled corn cob into No. 5’s hands. When handed the movie ticket, No. 5 was still able to comprehend, but after he was given the corn cob, he was starting to get confused — Xiao Zhan’s No. 5 widened his eyes, stared at the corn cob in his hand, and then turned around and looked around, looked at the people queuing behind him. In the next second, the 7 or 8 people behind him magically took out their own corn cob, as though getting a corn cob at the movies was a perfectly normal thing to do, and if No. 5 did not have one he would be out of place. There was full comedic effect, the whole theater laughed, No. 5 was embarrassed as he turned around and entered the cinema holding the corn cob. Starting from here, we could see that No. 5’s body language had completely corresponded with that of a comedic trope, it was relaxed and lively, and even when he met with unexpected situations, it was clumsily adorable.

Patient No. 5 Eating Sushi with His Wife

This segment was at the stage left, which also happened to be my visual blind spot, so I could only see the projection from the big screen, which was very regrettable. His wife said the the person she just argued with on the phone was a pig, and she did not want to talk about it, so when No. 5 mentioned that person, he used snorting to represent him, “…. that *snort snort*…”, that snorting was in imitation of a pig, it was really too cute! Xiao Zhan had also snorted in “Our Song”, here, No. 5’s snorting was even more lively, to the point that I was stunned, took 2 seconds to react in my brain that, oh my goodness that was actually Xiao Zhan snorting! It was simply too cute!!

His wife had squeezed a large amount of wasabi on the sushi, No. 5 said “no one puts so much wasabi”, (TN: Chinese had their own term for wasabi, jiemo, but Xiao Zhan used the Japanese term instead), I really loved it when he used languages other than Chinese, I just felt that it encompassed so much cuteness, moreover it was with the Taiwanese accent that belonged to No. 5, it was even more adorable. Both of them ate that wasabi laced sushi, and coughed wildly due to the irritation, Xiao Zhan was coughing so vigorously, by the sound of it I thought he was going to cough out his lungs, just exactly as though he really ate a huge amount of wasabi. But amazingly, his voice was exceptionally clear while coughing, perhaps because his voice for lines had became deeper more robust, in comparison, he did not deliberately deepen his voice while coughing, so he sounded literally like a young man.

No. 5 continued to chat with his wife, in this conversation, No. 5’s Taiwanese accent was even more obvious, which once again became part of my adorable collection of “Xiao Zhan’s various accents”, I was quietly punching the air in my mind!

His wife told him that she had never seen her father before, and she was unable to face him, No. 5 then told his wife to close her eyes and give it a try, she was initially unwilling, No. 5 coaxed her gently, and then she closed her eyes. Thereafter, No. 5 started talking in a old man’s voice deliberately, “My girl! Turn around and look at Papa! Papa owed you too much, forgive Papa, I’ve also missed you terribly! My good child! Papa bought a very beautiful doll to meet you!” Everyone could attempt to see how you would sound like when you talk in an older voice deliberately, it would definitely be quite funny, when Xiao Zhan acted it live, it was even more funny, the audiences laughed heartily. What made me even more excited was that this was the only the beginning of No. 5’s story, but I had already heard Xiao Zhan snorting like a pig, Xiao Zhan speaking Japanese, Xiao Zhan coaxing people, Xiao Zhan talking like an old man, I felt as though I was exploring all the different voices of Xiao Zhan! When Xiao Zhan spoke like an old man, it was also very cute!

Almost forgot a very important point, that is from this old man act and the snorting previously, we could actually see that No. 5 was very good at flirting, and it was the sort that was very natural and well practiced! In the instant as he acted as an old man, besides laughing with the audiences, I also thought in envy, good job young man, you are flirting again and again! I just had to say this, Xiao Zhan’s No. 5 was really very charming in and out.

Patient No. 5 Begging The Doctor to Save His Child

This part seemed ordinary based on the script, but you would only feel the amazement when watching it live! When looking at the script, it seemed like only the wife was begging the doctor, but in fact I remembered that it was his wife who stood further away from the doctor as she carried the child, No. 5 was beside the doctor, just like the stage photo shared by XZ Studio. His wife was more emotional from start till end, No. 5 was initially more calm, and even looked back to signal his wife to calm down. But later on as the doctor kept rejecting him, No. 5 started to lose the controlled calmness on the surface: he turned around and kneeled before the doctor, begging pitifully, his voice full of hurt and pain, with an agonizing crying tone. In here, his emotional progression to explosive was not that long, but it was very excellent, that moment he was just a father of a child, with an unbearable pain of loss on his shoulders. The doctor continued to refuse, No. 5 said no more, and the whole theater went silent.

Patient No. 5 Getting His Wife to Pick Up the Phone

After the child passed away, the relationship between No. 5 and his wife drifted apart, and No. 5 contacted that strange disease. At the same time, he started receiving calls in the middle of the night, but no one spoke after he picked up. There was one night, it was rare that No. 5 was at home with his wife, and he picked up that call again. No. 5 yelled into the receiver for a long time but yet no one replied, so he yelled at it, “I’m going to fight it out with you… after all, the telephone fee’s on you!” His tone was incensed, but yet the words he used were exceptionally funny, it was supposed to be a scary suspense story, but it wore the cape of a comedy.

The lines following that were similar. No. 5 finally yelled at the receiver, “Fine, I’m done playing with you today!” Till then it was still quite normal, but unexpectedly before he hung up he suddenly yelled another line: “Good! Night!” This type of contrast continued to add comedic colors to the play, because No. 5 was actually speaking harshly, but in the end he still politely said good night, but yet that good night was still harsh and irate. I believed that no matter how unclear the image of No. 5 was in the audiences’ hearts, in this moment they would definitely feel that No. 5 had a cuteness stemming from the contrast in his personality, he was interesting, cute and lively.

I feel that this was something that was hard to control in performance. On a whole, “A Dream Like A Dream” was a very serious and standard play, and would occasionally use comedic tropes to balance the heavy keynote. Hence when actors were performing, they had to say those random lines in a serious tone, and if done too lightly, the audiences would not feel that it was funny, but if done too heavily, it would destroy the pace of the story. Whereas Xiao Zhan’s performance was simply just right, it allowed audiences to easily understand the funny bits, but yet it did not breakaway from the general tone of the story. I remembered when we studied or appreciated ancient poems in high school, there was this term called “using lively music to contrast sorrow”, in fact “A Dream Like A Dream” was like this. The more amusing the funny parts were, after the audiences were done laughing and continued to immerse themselves in the story, the heavier they would feel.

Following this was the part, which Xiao Zhan angrily yelled at his wife to pick up the call, that many reports had mentioned. There was actually a progression, the script as below, the parts in parenthesis was how I remembered it was acted out:

No. 5: It's your turn to pick it up. (His tone was quite calm）
His Wife: What for do I pick it up?
No. 5: It could be for you. (He was starting to raise his voice)
His Wife: How could that be?
No. 5: Secret lover! You should pick it up. (You can hear the anger)
His Wife: Why?
No. 5: Because it is yours. (His tone had already went from questioning to factual) Every time he calls, not long after, you would return, I think he hasn't finished talking to you. (This looked like narration, but in fact when Xiao Zhan said this he was speaking hastily, already at the brink of exploding, his voice was very loud, and was starting to ring in the audiences' ears. In reality when someone hears a tone like this, we would subconsciously avoid it, as we feel that this person would explode the very next second.) You pick it up. (I was starting to shake)
His Wife: For what? It's not mine. (I was starting to fear for his wife, I mean was this not adding oil to the fire? Please don't... I was praying this in my heart, because the very next moment, lightning was going to strike!)
No. 5: PICK IT UP! [TN: The word used was a single syllable, jie.]

Just that word, the tone was so harsh, I could say that I have never encountered this in my life; the sound was so loud, it almost deafened me, the word was echoing within the hall, and gave me a feeling that when Xiao Zhan yelled out this word, he was also resonating with it. My father’s temper was not that good, and he would yell at me when I was a child, his voice was loud enough, but I actually felt that it was not as loud as a third of Xiao Zhan’s. Not only the voice was loud, the tone was very fierce, so fierce that if he was your boss, you would have kneeled before him, if he was one of your peers, you would have felt weakness in my legs and could not even run away if you wanted to. At that time in the theater, I was truly frightened, I felt as though my heart had frozen in my chest, and then there were palpitations, I felt as though all the yelling I had received previously were not worth mentioning. The whole theater definitely had a fright, because after Xiao Zhan yelled it, the whole theater was silent, not just ordinary silence when watching a play, but even the sounds of breathing stopped, the air was scarily quiet.

Patient No. 5 Searching for His Wife among the Passersby

No. 5 and his wife went to watch another movie, just like how they first met. When queuing, his wife went out to pick up a call, and suddenly disappeared, No. 5 started searching for her everywhere. Over here as well, I did not feel that it was very emotional when reading the script, No. 5 was like going through the process of looking for his wife, but when I actually watched the performance, it was another of Xiao Zhan’s highlight.

No. 5 was holding onto the grilled corn cob, and grabbed hold of a passerby, asked, “Sorry, can I ask if you saw my wife?” but this passerby did not hear him. No. 5 continued to run forward, the other passersby were stoic and slow, No. 5 frantically walked through them and seemed especially out of place. He grabbed the next passerby, continued asking, “Excuse me, did you see my wife?” The passerby continued to ignore him. I don’t know how to explain this specifically, as these two lines were similar, but the emotions in No. 5 was obviously changing, the sense helplessness and breakdown that was transmitted through his tone and his body language completely grabbed the hearts of the audiences.

No. 5 continued to grab passersby, asked, “Sorry, did anyone see a lady holding two grilled corn cobs? Her hair is slightly yellow, she’s very pretty, her eyes are very big…” “Excuse me, did you see my wife? She’s of mixed race, she never saw her father, our child died, she’s very upset… I’m really not feeling well… did anyone see?” I believe that even if I did not describe Xiao Zhan’s tone, we could see from the lines that No. 5 had already went from precise questioning to emotional rambling, the lines contained family background information unrelated to the search. In the final questioning, he was already in crying tones.

After countless of his question left ignored, No. 5 finally despaired, he stopped in his tracks, broke down and shouted, “Did anyone see my wife?! She just bought two grilled corn cobs!!!” This howl completely used all his strength and was even hysterical, it was filled with helplessness, despair and utter collapse. This lines actually contained comedy, since who would have brought up grilled corn cob at this point in time? But No. 5 did, and this was similar to what I said previously about “using lively music to contrast sorrow”, the more ridiculous the trope was, the better the contrast could highlight the sorrow in the reality, and in reality most of the tragedies did not happen like a Shakespearean story, but accumulated from the smallest and most ridiculous things.

In comparison to the doctor scene, I felt that this No. 5 broke my heart even more… Because he asked different people again and again, but he was ignored and tossed aside, bit by bit, he despaired and broke down… He used all of his strength but he could not do anything, except cry and howl helplessly…

Patient No. 5 and Jiang Hong at the Laundromat

This was a completely propless performance, with the exception of a laundry basket, there was no props, so Xiao Zhan was performing with the air as he opened the washing machine, took his clothes, folded them and placed them in the laundry basket. But his movements were very natural and ordinary, it was not deliberate, you could understand what he was doing with a look, i.e. that sequence of actions I mentioned previously. The way he folded (air) clothes was very cute, and there was the part that he did not know how to use the washing machine, and was poking poking poking at the air, that was also super cute! Haha.

Patient No. 5 at Jiang Hong’s Apartment

After No. 5 caught his disease, his posture, etc, had started displaying the weakness of his illness, Xiao Zhan very accurately portrayed this point, no matter whether it was his walking speed or his hunched back, as well was occasional coughing and panting, constantly reminded audiences that No. 5 was a terminal patient with not many days left. However in comparison to these, what best displayed No. 5’s illness was when he went up the staircase to Jiang Hong’s apartment, Jiang Hong stayed on the 7th floor, every time No. 5 went upstairs it felt like an ordeal and a massive challenge, he kept holding onto the handrails (which of course did not exist, there were no staircases onstage, he was acting with air), he would rest every 2 steps, panting, and made us feel that No. 5’s health was rapidly leaving his body.

After this was basically the envy inciting scene of the whole play. Jiang Hong’s apartment was very small, No. 5 could only sit on her bed. So we slowly watched how No. 5 and Jiang Hong got closer and closer… Amitabha. I do not want to describe it in detail, ｡･ﾟﾟ･(>д<)･ﾟﾟ･｡. There was this part that was very cute, Jiang Hong said, “No other person ever lived in this space. When I first moved in there wasn’t even space to have a cat, but now there’s a man, when he lies down, he uses up the whole bed.” After the line ended, Xiao Zhan basically laid on the bed in a 大 shape, instantly occupying the whole bed, both of his legs even extended beyond the bed. The audiences laughed at that moment, and I also directly understood even more that Xiao Zhan is really tall! Big sized! Before that when Xiao Zhan curled on his side on the bed, he was still very big.

Patient No. 5 and Jiang Hong’s Couple Details

It was not that moment of intimacy that made me envious, but it was the continued subconscious intimacy that really made me envious. No. 5 and Jiang Hong became a couple, they were like they had been together for a very long time, the intimacy was natural and well practiced. When she and No. 5 walked together, he would hold her hands; when they stood side by side, he would hold her waist; when they spoke face to face he would look down at her, very focused on her eyes, as though only she existed in the world, and would also gently stroke the back of her head, or smooth her hair; sometimes No. 5 would even slightly adjust her collar… etc, every detail was exceptionally natural.

When No. 5 and Jiang Hong went to see a gypsy with spiritual powers, that person told No. 5 to look at the crystal ball like how he would look at his lover, No. 5 turned around, looked up and looked lovingly at Jiang Hong standing behind him, saying coquettishly, “Yup, looking at my lover,” just like a willful boy in his first relationship who is unable to leave his lover. In that moment I became extremely envious.

Patient No. 5 and Jiang Hong at Normandy

This section is completely No. 5’s highlight!

At the start in the town’s hotel, the Grandpa gave No. 5 a flower circlet, No. 5 took it and placed it on his head. This was just right on stage left, which was my blind spot, I could only see it from the blurry screen, I was so angry and regretful! I could only imagine Tang San wearing the flower circlet, when Xiao Zhan wore it live it would definitely look a lot better, I could not see that with my own eyes, that was the biggest regret of my life ｡･ﾟﾟ･(>д<)･ﾟﾟ･｡.

When entering the hotel, the receptionist said it was 1,550 Francs per night, Jiang Hong immediately felt that it was too expensive and tugged No. 5, but No. 5 was instead very relaxed and yet unyielding as he said, “It’s almost the same, it’s all this price! It’s reasonable!” “No matter, I want it, I’m paying.” And then he pulled Jiang Hong into the hotel. That time I could only think, good job dude, that was how an unreasonable boss trope should be like!

No. 5 and Jiang Hong went to have a meal in the hotel, but however the rule of the restaurant was formal wear, but both No. 5 and Jiang Hong were in casual wear, so the host gave No. 5 a tie, No. 5 was to wear the tie and take a seat. In the script, it was No. 5 who tied his own tie, but in Xiao Zhan’s version, he did not continue to tie it himself, instead he raised his chin and leaned his neck over, signaling Jiang Hong to tie for him. My goodness, this part was seriously too sweet, I started complaining in my heart at this dude ｡･ﾟﾟ･(>д<)･ﾟﾟ･｡… I am not sure if everyone watched a behind-the-scenes from “Superstar Academy”, where Xiao Zhan finished a drink (or tidbits, I cannot remember), and he just waved the cup in his hand, requesting the co-actress beside him to take it, and then the actress simply took it. His sort of natural ability to influence the opposite gender really makes me fall head over heels for him.

No. 5 and Jiang Hong were mistaken for Japanese, the two of them went back to their room and started conversing in synthetic Japanese, this was really No. 5 at the peak of his cuteness!!! No. 5 gave Jiang Hong a gentlemanly bow, and said “Hi!” in Japanese accent multiple times, the tone was both serious and flippant at the same time. No. 5 also said “Ah li ga duo” for arigatou. When No. 5 was describing guns to the French waitress, he use the onomatopoeia “Bang bang!”, with finger guns action, super cute. He also said “Duo La A Mong” for Doraemon, “Sa yo na la” for sayonara, and most select phrases mentioned in countless reports were “Ka wa yi” for kawaii and “Da me da me” for dame dame, these phrases did not exist in the script, they were basically his own creation. My description of that scene was basically like this:

When he said “Ka wa yi”, he placed his palms on his cheeks like a flower shape, and dragged the “yi” sound, the tone was slightly coquettish; when he said “Da me da me”, he swished his hands around (similar to a orchestra conductor), his tone was coquettish but also lilting.

After he said these two phrases, the audiences were no longer calm, many of them were sniffing in envy and these sounds filled the hall. I almost fainted at the spot, blanked out and stared at the ceiling, wondering how lucky I was to be able to hear Xiao Zhan said “Da me”, and in a coquettish manner, who was I where was I, I must had been dreaming.

No. 5 also told Jiang Hong “Ah yi xi tie lu”, which was “I love you” in Japanese. This phrase in Japanese is actually very formal, because in normal circumstances, the Japanese would use “suki” to confess their affection, which meant “I like you”, “I love you” was very rare. Then No. 5 placed his arms on Jiang Hong’s shoulders and hugged her, looked lovingly down at her eyes, his expression full of emotion and tease, and said every syllable with a pause “Ah, yi, xi, tie, lu”. That moment I hated myself, I wondered why I had to understand Japanese, why!

Following this is another highlight of No. 5, when he was mistaken as an artist he gave a speech in the restaurant, in the script, there was this big segment of lines, it was slightly different from what Xiao Zhan said in the play, but in general it was the same:

"From that day when a disease that I don't recognize found me, everything changed. I had no choice! Did I know this virus? Why did it come to me? I don't know. But it just came! Just like you said that until now there are still children in Cambodia with a missing limb due to mines! The war had already ended for 25 years! Who placed the mines? Did he know that child? Where did such great hatred came from, that you had to blow up someone you didn't know? How different am I from that child? He is just like you and I, that one day, standing under the sun, standing on the road, and suddenly, bang! It's over! The 'freedom' we yell about everyday is just bullshit! How could we have choices?!..."

I felt that I had to type out this section in full because I felt that Xiao Zhan’s live performance had to be appreciated with this section. Frankly speaking, when I first saw the original script, I felt that here, No. 5 was just someone who was very adaptable to the sudden situations, able to talk his way out, so I did not really look into the contents of this section. At that point in time, there were people who also posted this part online, but I felt that it was making a mountain out of a molehill when we place Xiao Zhan’s personal experiences along side it, No. 5 appeared to be making up a speech without much deeper meaning. When I saw Xiao Zhan himself performing this part, I realized that I was too flippant then: Xiao Zhan really had the ability to help his audience empathize, when he said this section, it felt as though every word struck my heart, as though there were other hidden meanings, especially when he said these two lines “Where did such great hatred came from, that you had to blow up someone you didn’t know?” and “The ‘freedom’ we yell about everyday is just bullshit!”, I really had instant flashbacks to the unpleasant memories of 2020… I always felt that hardship is just hardship, there is never a need for us to be thankful to it, but I had to admit, for Xiao Zhan to walk to this stage, he had went through the trials and tribulations of hardship.

Patient No. 5 and Gu Xianglan’s Kiss

In the script there were no kissing scenes between Young Patient No. 5 B and Young Gu Xianglan (by Xu Qing), i.e. the video clip that was posted by Yanghua Theatre on the 22nd. So that day, the last scene of the upper half, everyone exclaimed (of course, a big part of it was that no one guessed that there would be other kissing scenes besides that with Jiang Hong). In the video clip, No. 5 and Gu Xianglan walked slowed to each other, their shadows overlapped, their faces slowly overlapping into a kiss, it told a story, and that sense was even stronger when watched live. Just that the live performance did not have the later half of the clip, that is after they kissed they slowly separated, during live the two of them kissed using the trick of positioning and then the lights dimmed, and with that, the upper half ended.

No. 5 wore a leather jacket with jeans, Gu Xianglan wore cheongsam; No. 5 was from modern Taiwan, Gu Xianglan was from the 1930s Shanghai. So as they slowly moved towards each other face-to-face, there was really the sense that two eras were slowly merging and overlapping, the feeling was very wondrous, almost as though there was a time and space disorder, yet there was also a sense of revolving fate that merged the past and present, East and West, and created this love story that transcended space and time. I had to say that this additional scene was really fantastic, it had such a sense of story and of fate that it could match the scene of 2 different Gu Xianglans walking in the long corridor of illusion and shadow, which would really stir the audiences’ curiosity and wonder.

Hence, I surmised that the script for this tour had made some changes, No. 5 would likely be Baron’s reincarnation, confirmed when the dying Old Gu Xianglan laid on her bed, holding Xiao Zhan’s No. 5 B’s hands, and directly called him “Henry”.

Patient No. 5 on the Hospital Bed

Over here I really wanted to punch myself, I clearly read the script, but yet I forgot that in the second half, the person on the hospital bed would be No. 5 B! I entered the hall early, and I long saw the doctor at the hospital bed aiding the patient’s breathing, but I really did not pay much attention, I was so regretful!! After the show started, No. 5 started talking, the whole hall started to exclaim as they realized that oh dear, that was Xiao Zhan!

Wearing the patient gown, Xiao Zhan seemed even more ill, looked especially frail, weak, and immediately reminded me of Xianxian in the red undergown, I believe when I said this, everyone would have the image in their mind.

Patient No. 5 with the Dying Gu Xianglan

Old Gu Xianglan laid on the hospital bed, Xiao Zhan’s No. 5 sat by it, his left hand had always been on Gu Xianglan’s back, gently patting and soothing Gu Xianglan, never stopped, I had been staring for a long while. I kept feeling that this was especially “Xiao Zhan”, because Xiao Zhan himself is just that gentle and considerate.

Gu Xianglan narrated her story until she was short of breath and passed away, No. 5’s gaze had never left her, and he held her hand. No. 5 was like just like that, quietly watching Gu Xianglan until she passed away, he did not say anything, but his compassionate expression, slightly furrowed brows, exuded a strong sense of unspeakable sorrow gushing out from his body. As I wrote this part, my mind would sometimes flash back to the scene of No. 5 sitting by the bedside, and suddenly I would feel like weeping.

Patient No. 5 Reading a Letter at Jiang Hong’s Apartment

No. 5 returned to the apartment where he and Jiang Hong lived, and from under the floorboards he found a letter, he was simply kneeling as he read the letter, and kneeled for a very long time. “Hi, the person with the fever…” As he kneeled there, I could only see his back, and I just kept watching his back, listening to him read the first few lines of the letter and after which Jiang Hong continued, I felt that there was nothing else in my heart, I was very upset, but yet my tears were locked in my eyes. I stared at his pointed toes and the long, long legs in jeans, stared at the hands that were grasping the letter. Once again, No. 5 encountered another separation of a lifetime, and I knew that I was going to bid farewell to him as well.

Before the Passing of Patient No. 5

Here, No. 5 A laid on the bed talking, while Xiao Zhan’s No. 5 B stood around 1m away at the left side of the bed, looking at No. 5 A. Here is the most obvious display of compassion from No. 5, because he stood for a long time, so I kept staring at him — his gaze was gentle and sorrowful, looking at the other version of him lying on the bed almost reaching the end of his life, I wondered what he was thinking of? Xiao Zhan’s eyebrows were especially good looking, I kept thinking that if I studied him from a certain distance, the first thing I would see would be his eyebrows, and that was something I did not think would happen when I looked at him via a video on my mobile phone screen. His eyebrows were just too good at conveying emotion, if it was relaxed I would feel relaxed as well, when it frowned I would feel upset as well. No. 5 kept his brows furrowed, it was melancholy and sorrowful, he did not need to have tears in his eyes, he could convey emotions with his brows.

Finally, No. 5 A stopped breathing, and the light on No. 5 B dimmed, he was slowly consumed by darkness, in that instant I felt as though my heart had been drowned by sorrow, I kept on staring at Xiao Zhan, and unwittingly as I wrote to this point, tears started brimming in my eyes.

Patient No. 5’s A Cappella

The lyrics to the song was like this in the script:

Did anyone, see my face before?
I think I remembered, I think I forgot,
You used to wander in my dreams;
I think I remembered, I think I forgot, I used to sing in your story;
I think I remembered, I think I forgot.

At this point, all the actors will take out candles, Gu Xianglan A would ring a bell, all the actors will blow out their candles, and the play ends. I wrote on Weibo that this part wrote a cappella: Xiao Zhan sang it at the end, I was literally shaking. It was clearly a cappella, without any instrumental music or sound effects, but it was particularly ethereal and pleasant. It sounded like I went to a tall and quiet church, and listened to the choir’s singing. His voice came with its own bass. There was really this sense of sanctity, which made you feel as though any stray thoughts would be a blasphemy. I was clearly seated at an elevated location, but spiritually I felt that I was looking up at him. It was almost surreal, a dreamlike illusionary existence.

When I was seated in the hall, I was more excited, because I remembered that there was still the curtain call and gratitude ceremony. Now, reviewing this with the script, I am completely immersed in the sorrowful atmosphere of the script, and as I recall Xiao Zhan’s a cappella, I am now especially upset, and I miss him terribly.

Part 2 – Praising Xiao Zhan from All Different Angles

What Was Xiao Zhan’s Role (DUH)

At the start, No. 5 was an architect, a salary man, as he hurried on the streets, the sense of salary man was really obvious. After he met his wife, he started his flirtation mode, which was a humorous and interesting young man. After he had a child and as he carried that child, he was really like a father, I almost yelled “Daddy” in my heart! After that he fell sick, and no matter where and when, he was able to portray the sense of someone who had an illness.

Xiao Zhan’s Lines

Before the start of the show, Xiao Zhan broadcasted the important notice, his voice was like a newscaster, the XFXs around me could not believe it was him. In the hall, the voice was especially vigorous and magnetic, which was quite different from how he was like in previous interviews, overall it was especially pleasant, it felt like he changed his vocalization method, there was probably more technique into it.

Secondly, his pronunciation was very clear and professional, I could hear every word clearly, and when he was at stage left where I could not see him, I pretended I was listening to a radio show. No. 5 was from Taiwan, hence Xiao Zhan specially spoke with a Taiwanese accent, very natural and very cute. His emotions were very very on point! When he was coquettish his voice slightly lingered, when he yelled it was fierce, when he was sad it was sorrowful… When he was joking, it was as though every sound he made had a smile, when he was stern it was very shocking! “Ka wa yi” and “da me” were my top favorite!

Xiao Zhan’s Body and Face

Xiao Zhan’s No. 5, his back was hunched, he occasionally coughed, and we could see that his style of walking was different from Xiao Zhan’s: No. 5 was ill, he frequently had fevers, and he would tire when he went upstairs. From the play, we could say that we could not see the healthy and strong Xiao Zhan at all, we would only feel that he was No. 5 with a terminal illness, that was acting and character portrayal from in to out. But when he bowed with his back facing me, I still could clearly see the lines from his back muscles pushing against his shirt.

His legs were especially long, his proportions were really extreme, I always felt that humans could not grow like this, did he steal Jianguo’s leg length (No). His face was particularly small, especially when viewed from my distance, it was outstandingly exquisite, as though I could pinch it with just a hand. This hairstyle really showcased his ears, which were pointed, completely elf-like!

Besides his outstanding eyebrows, his nose was also super magnificent! Even if you looked at him from the front you would feel that he really looks very chiseled! Even more so from the side! A miracle of beauty!

From my location, I had a lot of chances to look at his 70% side view, as the light shone on that face, it was like a sculpture, I wondered what kind of divinity would be able to sculpt that: that nose line, that lip and that melancholy eyebrows…

Xiao Zhan’s Compassion

The tone that Xiao Zhan’s No. 5 as a whole gave me as a whole was melancholic, or I could say it was his compassion. Previously, I frequently saw that everyone said that Tang San had a sense of compassion, but I feel that the compassion in No. 5’s aura was superior to Tang San’s. Firstly, he himself had a terminal illness, and then he experienced so many changes, the departure of his family and loved ones. Secondly, the inner aura of No. 5 himself came with a bit of compassion.

I saw at the back row, at times when I used the binoculars, his facial features would be slightly blurry, of course most of the time it was clear, so I always first spot the most obvious, the tightly furrowed eyebrows.

Accompanying that frown would be his exquisite facial features, his eyes, especially the line of his nose, it seemed almost supernatural. Hence I would really relate it to the Greek sculptures, as in their expressions were also solemn, as though they were looking down upon the emotions and pain of the world. And they themselves were the representation of human beauty.

I always felt that the reason why Xiao Zhan’s good looks were well accepted by the masses was because his good looks was universally acceptable.

Of course, for Xiao Zhan’s No. 5 to be able to attain this level of compassion, it not only depended on his innate aura, but even more so, his own hard work, which caused his looks to be able to give off this kind of aura. For example, he became even more thin, such that his cheeks were more protruding, and there were possibly shadows on his cheeks, this would make you feel that, truly, his melancholy and compassion was clearly affecting his body.

His aura, his physical shape, was completely in service of the character.

Xiao Zhan’s Acting Skills

I posted on my Weibo that Xiao Zhan’s No. 5 was very compassionate, and then there were comments asking if it was because of his past experiences, such that he was able to portray this kind of compassion, actually it was not that I did not agree completely, but it was something that I did not even think of.

Why? Because when you watched Xiao Zhan’s dramas and movies, it was the same, when you watched his play life, his performance was even more so — just that he was not deliberately acting, you would feel that he did not use any life experience, or very obviously using his experiences to aid his portrayal in the drama. He was not like this, he would give you a very very natural sensation.

Xiao Zhan’s acting was like spring water, naturally flowing down from the cracks on the hill side, and not like cracking a water pipe, which would come gushing out suddenly, it was not like this. Even if it was an explosive scene, it would also smoothly flow downwards like a waterfall tumbling from the top of a cliff.

Although I say that Xiao Zhan’s acting was very, very natural, so much so that you could not see any trace of deliberation, but in fact this did not mean that this skill came inborn, on the contrary, this acting skill required doubly effort to attain.

My Trance

I don’t know how to explain my feeling: that is when watching the play I would sometimes feel hazy, like I would suddenly break away from the play, and then stare at Xiao Zhan, thinking — wow, this is a real Xiao Zhan, a lively Xiao Zhan, and he’s under the same roof as me in this very second, moving and talking…

And then I would go into that trance.

The Ocean of Flowers in the Courtyard

So romantic, star chasing is so romantic, loving Xiao Zhan is so romantic.

The night of Wuhan, I stayed in the midst of the crowds, outside of my windows were the streaking colors of everyday life.

My heart remained sweet, because I knew that in that very moment, I was sharing the same sky with the one I love.

And yet my heart was weak, as soon as I saw that endless brilliance of red, I would feel that my tears would well up.

Walking through the ocean of flowers, I saw countless adoration, gentleness, admiration, well wishes…

In that second, I was in Wuhan, and I had a romance with No. 5 at the ends of the world.

Appendix: 2013 Version of “A Dream Like A Dream” Behind-The-Scenes Documentary Review

(Written on 23 Mar 2021)

Upper Half

Firstly, the documentary emphasized on its star-studded cast on its very first Mainland China premiere in 2000. Besides the well-known famous actor, there was also a renowned female singer crossing domains, as well as some familiar, well-known actors, such as Tan Zhuo, Xu Qing. Xu Qing was going to continue her role as one of the Gu Xianglans in the upcoming 2021 version of “A Dream Like A Dream”. At the same time I also discovered that Shi Ke was in the 2013 version of “A Dream Like A Dream”, she was the lead actress for Xiao Zhan’s “Heroes in Harm’s Way – Blessed Community”.

In the documentary, besides bringing more attention to this play, the star-studded cast also brought another challenge, because the group’s actors had to spend more than a year to break into this 8 hour play (that time when “A Dream Like A Dream” first came into Mainland China, everything had to be started from scratch, there were a lot to adapt, hence the timeline would be longer, 2021 version had the previous foundation, and therefore did not need this long for preparation), and singers would have to take a few months to prepare for their fan meetings and concerts, television and movie actors would have to take a few months to film their dramas. In rehearsing this play, the actors would have to reject many invitations, their “loss” in revenue could be up to millions or even more.

Xiao Zhan’s rehearsal period for “A Dream Like A Dream” appeared to be an empty period to the external world, but plays truly needed wholehearted participation into practice time.

Director and playwright Lai Shengchuan said, plays are even a greater challenge to these stars, because their capabilities, their acting skills, would be obvious to the audiences after 2 or 3 shows, and this will dictate the success of the play in Mainland China.

Hence for the first entry to Mainland China, all the preparation from all angles had to start from zero, the 2013 version encountered many difficulties in terms of location, props, etc. While the cast attracted a lot of attention, the strict control behind the stage, for example, prop preparation was actually done by a Year 4 Journalism student; the rehearsal initially started in a crude empty factory. Then, the in-charge of Yanghua Theatre, Wang Keran, was the main in-charge for bringing in “A Dream Like A Dream” into Mainland China, he and his team’s office was in a simple 3 bedroom apartment, he directly said that bringing in this play was to raise the influence of plays but he could not bankrupt the backstage, hence cost also had to be tightly controlled.

For the 2021 version, the documentary gave me the most anticipation was the process that in the 2013 version, the actors and the directors went through a lot of breakthrough and recreation process during their rehearsals. While rehearsing, Xu Qing gave a totally opposite view on her role to Lai Shengchuan (on Gu Xianglan’s love to Baron), the understanding and identity from the actors themselves were in fact the most important part to character creation. Finally, Xu Qing’s persistence convinced Lai Shengchuan, who specially added some scenes in Act 9, and allowed the character Gu Xianglan to be more logical. Lai Shengchuan was a renowned Asian Theatre master, “A Dream Like A Dream” was his 3rd script after his 10+ years of experience. Even so, when meeting a brand new acting crew, the script might still display its inadequacy or limitations with the times, etc. At this moment, it would require actors to use their acting experience to improve upon it, and perform character and scene recreation. We could say that, Xu Qing was a good actress who had her own opinions and thoughts, and was persistent about them, Lai Shengchuan was a good director who progressed with the times.

It just so happened today that Xu Qing praised Xiao Zhan, I believe that with my narration on this part, everyone would understand how much weight Xu Qing’s praise carried — there is no praise that is more encouraging than that from a fellow actress who is persistent and serious.

I believe that Xiao Zhan is also a hardworking actor who will seriously analyze his scripts, and have his own opinions and thoughts. Hence, I really look forward to fireworks that Xiao Zhan and “A Dream Like A Dream” would create, as well as the new soul this would bring to the role, Patient No. 5.

Lower Half

Firstly, the documentary introduced the costume designer for “A Dream Like A Dream”, renowned designer, Ye Jintian. Ye Jintian was the costume in-charge for many movies and dramas, the most famous ones were “A Better Tomorrow” and “Crouching Tiger, Hidden Dragon”, he also won the Oscar for Best Costume Design for the latter movie. 2021’s Costume Design Executive was still Ye Jintian. When rehearsal conditions were unable to reach the performance conditions, actors would have to use costumes to find their entry into the character, and as such, it showed how important costumes were to the play.

The premiere in 2013, was such a major cultural event, in the press conference before the first show, they exhibited a shorter segment of the play. Lai Shengchuan wanted people to focus on the story itself, but the media placed their attention on the star-studded cast, the 8 hour long performance, the ring shaped stage, and other gimmicks etc. Lai Shengchuan said, that was the misguidance of the media focus. I felt that, that was unavoidable, since it was a challenge, it was even more so an opportunity, because everything would increase the attention on the play itself eventually. Lai Shengchuan hoped that people would not watch this play for entertainment or escapism, but instead, use this story to face their problems directly, to think about the meaning of life and death.

Surprisingly, the documentary then emphasized on the participating well-known singer’s influence. It said that she had millions of passionate fans, many of them entered the theater because of her, whereas in Lai Shengchuan’s vision, the audiences for “A Dream Like A Dream” were those who had watched many other plays before. We could even say that such a young and influential singer’s addition then truly changed the audience composition for such an elite form of art. On this, Producer Wang Keran expressed that it was something the production team was happy to see, because marketization was the nutrient for such highend art. Moreover, “A Dream Like A Dream” was 8 hours long, they had 400 over sets of costumes, as well as many innovative stage art design, the cost was very huge. Hence, the show for this type of play became a gamble, a gamble between art and market. After all, theater workers would have to eat, and audiences only cared about results, and they would not analyze the difficulties behind it.

The 2021 version that Xiao Zhan joined was built upon the mature experience of 7 years of public showing from the 2013 version, and definitely had lesser problems, but due to Xiao Zhan’s commonly known qualities, the 2021 version would carry the same mission as the 2013 version: using the actor’s huge influence and interest, attract more “first time goers” for theaters, and use the market to nourish the play. To Xiao Zhan personally, this was the rarest and best experience for an actor.

I would mostly skip through the following interview of the famous actor, but there was an important phrase within which he generally said, “To return to theater is to remove the burden of a celebrity.” I felt that this point was suitable to Xiao Zhan.

That time, the production company for “A Dream Like A Dream” (should be Yanghua Theatre) was actually not rich, we could see that the theater scene was still in its infancy. The Stage Designer Zhang Zhelong, was also very competent, he created many aesthetic and unique stage effects for “A Dream Like A Dream”, the most famous was the handover between 2 Gu Xianglans, 2 graceful figures, the former slowly absorbed into the light, blurry and vague, just like a dream. The 2021 version’s Stage Designer is still Zhang Zhelong.

Finally, it was the interview with the well-known actor Jin Shijie, who acted as Baron then. He said that now is the era for speed, everyone could use an electronic device to watch many shows in a night, they could even watch new technologies such as 3D. But, plays were like they carried many ancient rituals. You would need to leave the house, take a car ride, queue, and then sit in among a group of strangers, and watch the stage in the dark, and finally return home. These process were complex, but yet it also seemed especially ceremonious — hence Jin Shijie said that the stage was the most primitive. Whereas for me personally, I like this type of primitive art, this is a form of art that up close, without any misplacement in time and space, and the most realistic.